string(3) "dev" Various Artists (Heard Them Here First) - Elvis Heard Them Here First - Ace Records

Elvis Heard Them Here First Various Artists (Heard Them Here First)

£11.50

Genre:
Rock'n'Roll
Label:
Ace Records
Format:
CD
Catalogue Id:
CDCHD 1332

From his debut recording session to his last, Elvis Presley loved to reinterpret. The first song he ever cut, ‘My Happiness’, was one he probably learned from the 1948 recording by John and Sondra Steele. The last song, ‘He’ll Have To Go’, probably came via Jim Reeves (although Jim was not the first to record it – that honour went to one Billy Brown). In 24 years of studio and stage activity, Elvis cut over 150 songs that had been recorded previously – and put his own stamp on all of them, regardless of who sang them first. All of which makes him a guaranteed shoo-in for his own ‘special edition’ in Ace’s popular “You Heard It Here First” series.

Most people who buy Ace CDs will already know what the originals of songs such as ‘Blue Suede Shoes’, ‘One Night’, ‘Hound Dog’ and ‘Blue Moon Of Kentucky’ sound like. We could have gone the obvious route with this project and stuck to Elvis’ revivals of R&B, blues and hillbilly material, but we’ve elected to compile “Elvis Heard Them Here First” from songs he cut after his military service put his career on hold for a while. We’ve tailored our selection to embrace the originals of some of his biggest hits – ‘Always On My Mind’, ‘Girl Of My Best Friend’, ‘Guitar Man’ – and some of his most obscure B-sides and albums cuts. Believe us, they don’t come much more obscure than Duane Dee’s ‘True Love Travels On A Gravel Road’, the Bards’ ‘Goodtime Charlie’s Got The Blues’ or Roger Douglass’ ‘Never Ending’. In doing so, we hope more than a few of even the most hardcore Elvis collectors will discover some original versions of songs they may not have even suspected were ever recorded by anyone other than Elvis.

We can’t say with 100% certainty that Elvis did hear these versions first, and we’re pretty sure that, in one or two cases, he definitely didn’t. Throughout his life, Elvis grabbed music from everywhere. A voracious collector and listener, he loved nothing more than to put his own stamp on a song that he loved, particularly in the years following the ’68 Comeback Special when he was no longer bound by the constraints of what his notorious management insisted he record.

The beautiful vintage Alfred Wertheimer cover shot of the young Elvis, an inevitably jam-packed booklet featuring the usual wealth of rare labels and ephemera, and a detailed sleeve note chronicling the songs in the order he cut his versions, it’s a package no Elvis fan will want to be without, even though he doesn’t sing one note.

By Tony Rounce

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Track listing

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Side 1

  • 01 Preview I Want You With Me - Bobby Darin

  • 02 Preview The Girl Of My Best Friend - Charlie Blackwell

  • 03 Preview Bossa Nova Baby - Tippie & The Clovers

  • 04 Preview I'm Comin' Home - Carl Mann

  • 05 Preview The Wonder Of You - Ray Peterson

  • 06 Preview Girl Next Door - Thomas Wayne

  • 07 Preview Find Out What's Happening - The Spidells featuring Billy Lockridge

  • 08 Preview Never Ending - Roger Douglass

  • 09 Preview Girls Girls Girls (Pt 2) - The Coasters

  • 10 Preview Long Black Limousine - Vern Stovall

  • 11 Preview If I'm A Fool For Loving You - Bobby Wood

  • 12 Preview Stop, Look And Listen - Rick Nelson

  • 13 Preview Tomorrow Is A Long Time - Bob Dylan

  • 14 Preview Guitar Man - Jerry Reed

  • 15 Preview Always On My Mind - Brenda Lee

  • 16 Preview Only The Strong Survive - Jerry Butler

  • 17 Preview Goodtime Charlie's Got The Blues - The Bards

  • 18 Preview True Love Travels On A Gravel Road - Duane Dee

  • 19 Preview I've Lost You - Matthews' Southern Comfort

  • 20 Preview Three Corn Patches - T-Bone Walker

  • 21 Preview Pieces Of My Life - Charlie Rich

  • 22 Preview For Ol' Times Sake - Tony Joe White

  • 23 Preview Fairytale - The Pointer Sisters

  • 24 Preview An American Trilogy - Mickey Newbury

Delivery & Returns

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We offer free P&P to UK addresses. For all other territories packaging is free and postage is charged on a weight basis.

We use Royal Mail First Class for UK deliveries and standard Air Mail for all other territories, very large orders will usually be sent via parcelforce. You may cancel your order at any time prior to your order being dispatched by emailing us at orders@acerecords.com ensuring that you quote your name, address and order reference number or by telephoning +44 (0) 208 453 1311 between 9am and 5pm GMT/BST, Monday to Friday. Please note: As music downloads are dispatched immediately after purchase, there is no possibility of cancelling these orders.

In the event that any products supplied to you by us are damaged or defective, we agree to replace or repair the damaged or defective products or refund the amount you paid for such goods (including postage & packaging) providing you notify us (either via post at or e-mail: orders@acerecords.com ) and return the goods within 28 days of purchase. Physical goods should be sent back to us in the same condition you received them to: “Returns” Bus Stop Mail Order Ltd, 42-50 Steele Road, London, NW10 7AS. Music downloads should be returned to us via the e-mail address above including a copy of your notification.

You have the right to cancel your order within seven days of purchase, or seven days of receipt of the goods (whichever is the longer). If you choose to cancel your order, full payment will be returned to you. Returned items should be sent to: “Returns” c/o Bus Stop Mail Order Ltd, 42-50 Steele Road, London, NW10 7AS. Music downloads should be returned to us via the email address: orders@acerecords.com including a copy of your notice of cancellation and order number.

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